I was a Goth in High School, replete with red hair and a black trench coat. In the late 1980’s such minor acts of rebellion provided an easy bullseye for bullies (of which there were many in my small town), and that was kind of the point. The bullies were going to get you one way or another. You might as well as be yourself, and if you were going to be pummeled, be pummeled in style. Besides, the farm boys and jocks could only torment you during the week – the weekend was a different matter.
One of my best friends lived in an apartment complex in Tulsa, 45 minutes, and a world apart from where I was. Every weekend, I would drive my parent’s Plymouth Sundance up and enter a vibrant universe of limitless-seeming possibilities and a feast of music outside the big hair bands that ruled the airwaves in that era. The anchor of all this was IKON, an industrial/goth club on Peoria, not far from where my father worked his day job. Thanks to an archaic law, dance venues in Tulsa could stay open all night as long as they didn’t serve alcohol. The city would close this loophole in a few years and put the kibosh on our (and future generation of teenagers) good time, but that didn’t happen until later. My friend, myself, and the revolving cast of characters crashing at his place teased our hair, applied make-up, switched into black garb, and arrived at IKON around midnight. We entered a world of flashing lights, dark corners, distinctive personalities and flowed with the tide of adventure. There was always someone to meet or an unforgettable story to bank into memory. Mainly, it was just fun. At some point, we migrated to the club’s back and home base – a sagging couch, where we caught our second wind after dancing ourselves silly. Every weekend was a chance for reinvention outside the confines of our rural towns and suburbs. Before long, the sun rose, and we emptied onto the Tulsa streets, like vampires taking in the approaching dawn. IKON was a refuge for the bullied, maligned, artistic, and folks who were different. It was our magic portal in a sea of conformity dominating everything around us. My mind and ears were opened to music outside saccharin Top 40 hits there (and through the crackly reception of KTOW on my boombox). I also took in many touring shows that played there (The Dead Milkmen, PigFace, Ethyl Meatplow, and The Legendary Pink Dots, to name a few). I dutifully memorized music recommendations given to me and ordered them at Mohawk Music and Starship Records. I may go back to the beatings and harassment at my school, but I could take that music with me and the expanded possibilities that it offered. Like IKON, it taught me that there was a more exciting world out there. I culled some of that music (along with new tunes that captured the ambiance of how I felt) into a playlist for a novel I am writing. I realize that this will be a very different set of tunes than other folks who were regulars there. After all, we are all different. Let me know in the comments if you have suggestions to add to the list.
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Allen HoustonStoryteller Archives
July 2021
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